Among the main themes introduced by the Ficinian renovatio platonica, love and beauty are certainly ones of the most outstanding and philosophically relevant for the metaphysical, cosmological and anthropological doctrines they convey. Pupil and recognised successor of Marsilio Ficino, Francesco Cattani da Diacceto is the author of an organic and complex philosophy of love and his contribution is extremely significant amid De amore Renaissance treatises. Cattani’s attitude is twofold and ambiguous: he heavily depends on Pico and (...) on his Commento sopra una canzona de amore, however, he also shows his disapproval to Pico’s positions by quoting and commenting negatively large portions of his texts − always keeping the lid on Pico’s name. In addition to doctrinal dissent there seems to be a certain resentment: maybe it is the attempt to throw Pico’s figure and cultural legacy into the shade and to display himself as the only and worthy successor of Ficino; certainly it is the will to defend his master from Pico’s harsh criticism, a defence that became more compelling with the publication of the Commento in 1519, which probably inspired Cattani’s last and unfinished work, the In Platonis Symposium enarratio. (shrink)

From the second half of the 16th century the question about Platonis Aristotelisque Concordia is no more a merely doctrinal problem, but it involves a discussion about methodus and ordo, according to the importance given to them in the coeval philosophical debate. In many cases underscoring Plato’s scientific merits, not only about inventio but also about the transmission of knowledge, meant promoting Platonism as a philosophy suitable for University. In this context the need for Platonic handbooks is perceived as compelling, (...) due to the recognised didactic superiority of Aristotle’s writings. The Compendio and the Vere Conclusioni are the specific contribution of Francesco Verino secondo, who gave holiday lectures on Plato at the Florentine Studium from 1576 to 1579. The present study focuses on the platonism of Francesco Verino, covering nearly all his works, printed and manuscript, in a constant comparison with his noble predecessors Marsilio Ficino, Giovanni Pico della Mirandola and Francesco Cattani da Diacceto. In order to give light to Verino’s lectureship, particular attention is paid to glosses in his working and teaching copy of Platonis Opera. (shrink)

The paper examines the definitions of the concept ‘philosophy’ resp. ‘the philosopher’ in Florentine renaissance Platonism, namely Marsilio Ficino and his scholar Francesco di Zanobi Cattani da Diacceto. Following Socrates and Pythagoras, Ficino distinguishes between mundane philosophy and divine sapientia. In contrast to his teacher, Diacceto’s Aristotelism rejects the Pythagoreanism and connects philosophy with sapientia. In order to show how the differences between Ficino and Diacceto emerge, three more contemporaries are taken into consideration: Christoforo Landino, (...) Angelo Poliziano and Giovanni Pico della Mirandola. As a result of this examination, it can be said that the definition of ‘philosophy’ in Florentine renaissance Platonism tends either to Pythagoreism or to Aristotelism or to both. Closely connected with the debate on philosophy are topics and maxims such as meditatio mortis, theologia negativa, docta ignorantia, scio ne scio, nosce te ipsum, ne quid nimis et al. (shrink)

The paper examines the definitions of the concept ›philosophy‹ resp. ›the philosopher‹ in Florentine renaissance Platonism, namely Marsilio Ficino and his scholar Francesco di Zanobi Cattani da Diacceto. Following Socrates and Pythagoras, Ficino distinguishes between mundane philosophy and divine sapientia. In contrast to his teacher, Diacceto's Aristotelism rejects the Pythagoreanism and connects philosophy with sapientia. In order to show how the differences between Ficino and Diacceto emerge, three more contemporaries are taken into consideration: Christoforo Landino, (...) Angelo Poliziano and Giovanni Pico della Mirandola. As a result of this examination, it can be said that the definition of ›philosophy‹ in Florentine renaissance Platonism tends either to Pythagoreism or to Aristotelism or to both. Closely connected with the debate on philosophy are topics and maxims such as meditatio mortis, theologia negativa, docta ignorantia, scio ne scio, nosce te ipsum, ne quid nimis et al. (shrink)

Pensar un análisis crítico del discurso desde una perspectiva decolonial significa, ante todo, la puesta en cuestión de la historicidad de la colonialidad/imperialidad/modernidad en términos de rec...

This study considers the contribution of Francesco Patrizi da Cherso to the development of the concepts of void space and an infinite universe. Patrizi plays a greater role in the development of these concepts than any other single figure in the sixteenth century, and yet his work has been almost totally overlooked. I have outlined his views on space in terms of two major aspects of his philosophical attitude: on the one hand, he was a devoted Platonist and sought (...) always to establish Platonism, albeit his own version of it, as the only currect philosophy; and on the other hand, he was more determinedly anti-Aristotelian than any other philosopher at that time. Patrizi's concept of space has its beginnings in Platonic notions, but is extended and refined in the light of a vigorous critique of Aristotle's position. Finally, I consider the influence of Patrizi's ideas in the seventeenth century, when various thinkers are seeking to overthrow the Aristotelian concept of place and the equivalence of dimensionality with corporeality. Pierre Gassendi , for example, needed a coherent concept of void space in which his atoms could move, while Henry More sought to demonstrate the reality of incorporeal entities by reference to an incorporeal space. Both men could find the arguments they needed in Patrizi's comprehensive treatment of the subject. (shrink)

Francesco Patrizi da Cherso's Discussiones peripateticae are one of the most comprehensive analyses of the whole of Aristotelian philosophy to be published before Werner Jaeger's Aristoteles. The main thrust of the argument in the Discussiones is that whatever Aristotle had said that was true was not new, and that whatever he had said that was new was not true. The article shows how Patrizi proves this with respect to the Organon, and deals with the implications for the history af (...) ancient philosophy in general implied by his stance. (shrink)

Francesco Patrizi da Cherso's Discussiones peripateticae (1581) are one of the most comprehensive analyses of the whole of Aristotelian philosophy to be published before Werner Jaeger's Aristoteles. The main thrust of the argument in the Discussiones is that whatever Aristotle had said that was true was not new, and that whatever he had said that was new was not true. The article shows how Patrizi proves this with respect to the Organon, and deals with the implications for the history (...) af ancient philosophy in general implied by his stance. (shrink)

Este artigo apresenta as críticas de Francesco Patrizi à concepção aristotélica de tempo na sua Física, isto é, a crítica de Patrizi ao princípio de que o tempo é infinito em termos de infinidade matemática. A principal tese de Patrizi é a de que a “infinidade possível" da matemática acarreta contradições quando aplicada a substâncias naturais e à ciência natural em geral.

On the one hand, after Matteo d'Acquasparta's distinction between the three types of eternity and the temporal necessity of the past, Meyronnes radicalized Scotus's dynamic vision of duration, conceiving the modality as a relation of implication between predicate and existing subject, and time as relationship between Creator and creature. On the other hand, after Ockham denied the real simultaneity of opposed potencies, the Ochamist extension of temporal necessity to the present was denied by Gregory of Rimini, who was favourable, together (...) with Wodeham, to the mutability of the past in a divided sense. Mirecourt, strong on the English subtleties, appears to follow Gregory and tries to find a solution to the interaction between the two contingencies, from top to bottom, which had been formalized by Gregory: if I, performing or not performing X, can act as if God, as the supreme intellect from eternity, could have known or not known X to come, and, if God as agent, absolutely willing omnipotent and unimpeadable from eternity can act as if X happened or did not happen, then can I act as if X, which is from eternity, did not happen from eternity? (shrink)

Il volume qui raccolto, nella pluralità degli interventi da parte di colleghi ed allievi, costituisce una vera e propria mappa degli interessi e delle relazioni intessute da Francesco Moiso con studiosi e istituzioni italiane e straniere nel corso di questi anni, e rappresenta al contempo uno specchio fedele dei temi di ricerca prediletti con cui lo studioso si è confrontato, come testimonia la bibliografia delle sue opere presente in questo libro. Annotation Supplied by Informazioni Editoriali.

Bu araştırma, İbn Sînâcı ve İbn Sînâ-sonrası temsilciliğe ve kavramcılığa yönelik Fahreddin er-Râzî’nin tutumunun g mini, onu bu gibi öğretilere karşı giderek daha çok şüpheye düşüren nedenleri irdelemeyi amaçlamaktadır. İbn Sînâ’nın temsilciliğine göre bilgiye, zorunlu olarak, bilgi nesnelerinin mahiyetleriyle özdeş olan zihnî suretler aracılık eder. İbn Sînâ-sonrası bazı düşünürler, zihnî suretleri mahiyetleri açısından nesnelerden farklı olarak, onların yalnızca birer imgeleri olarak dikkate alıp bu açıklamayı yeniden biçimlendirirler. Râzî her iki yaklaşımı da eleştirir. Varlığın eş sesli olmayışına dayanarak İbn Sînâcı temsilciliğin (...) iki kurucu öncülünü (zihnî varlığın ayrılığını ve saf mahiyetin varoluşsal farksızlığını) reddettiği gibi, İbn Sînâ’nın teorisinin sonuçlarından birine (mahiyetlerin zihin-dışı lazımlarını bilmenin imkânsızlığına) dayanarak temsilciliğin kendisini de reddeder. Râzî başlı başına temsilciliğe karşı olarak, temsilciliğin öncüllerinden birinin (bilgi bilende yerleşik olan, izafî-olmayan belirli bir araz gerektirir) yeterince yeterince gerekçelendirilmediğini iddia eder ve ayrıca bilginin tamamen izafet olduğuna ilişkin kendi teorisine dayanarak burhanî açıdan yanlış olduğunu ileri sürer. İbn Sînâ’nın kavramcılığı şeylerin üç sınıfıyla ilgilidir; var olmayan bilgi nesneleri, basit mahiyetlerin tanımsal parçaları ve ikincil akledilirler (mantıksal nitelikler). İbn Sînâ-sonrası kavramcılar Şeyh’i aşarak, üçüncü sınıfı sadece mantıksal nitelikleri değil varlık, birlik, şeylik, kipler ve genel olarak izafetler gibi nitelikleri de içerecek şekilde genişletir. Râzî’nin var olmayan bilgi nesneleri konusunda kavramcılığa yönelik saldırısı, hem varlığın kaplam bakımından sınırsız olduğu şeklindeki genel öncülü hem de hayal nesnelerinin zihin-dışında var olmayan mahiyetlere sahip olduğu şeklindeki özel öncülü eleştirir. Râzî ayrıca (mütekabiliyet argümanı, zihnin ortadan kaldırılması argümanı gibi) genel olarak kavramcılığa karşı olan argümanlar da geliştirir. (shrink)

1. Da Leibniz a Kant.--2. L'algebra della logica.

La Jetée is a Chris Marker movie composed by still images, photographs, with the exception of a very short sequence. The paper aims to account for the experience of temporality induced by photography, framing the structural analysis of the movie in a phenomenological horizon, in particular with regard to the Husserlian’s notion of “Living Present”.

Se la tradizione continentale, da Nietzsche a Foucault, ha sottolineato le implicazioni critiche e destabilizzanti del metodo genealogico, gli approcci analitici hanno dimostrato che esso può anche offrire sostegno ai propri oggetti di indagine: norme comportamentali, pratiche, concetti e così via. Un resoconto genealogico, per esempio, può avere un carattere giustificativo quando individua una relazione funzionale necessaria tra il concetto o la pratica in esame e bisogni umani abbastanza fondamentali. La questione che voglio affrontare riguarda le presunte capacità giustificative di (...) questo tipo di spiegazioni genealogiche. In che misura modificano davvero lo spazio delle ragioni? Sostengo che la loro portata normativa e valutativa è variabile e che l'esame di alcuni casi limite aiuta a dimostrarlo. Più specificamente, ritengo che in alcuni casi le ragioni offerte attraverso queste spiegazioni siano ragioni non tanto per giustificare l'uso di certi concetti o pratiche, quanto per giustificare coloro che li vivono. (shrink)

Arthur C. Danto è stato uno dei più rilevanti pensatori del Novecento. La sua multiforme vicenda intellettuale si è tenuta, al fondo, sempre organica all’orizzonte della filosofia di matrice analitica. Da questa prospettiva metodologica, Danto ha elaborato tesi sulla storicità dell’arte e sull’ontologia dell’opera che sollecitano a vario titolo il dibattito europeo da almeno vent’anni. Riprendere il filo di alcune sue ricerche è ancora oggi un atto importante per ripensare lo statuto dell’art...

1. Introduzione In questo lavoro cercherò di tratteggiare nelle sue linee essenziali la teoria dei segni iconici che emerge da quello che è forse il capolavoro di Nelson Goodman, Languages of Art, del 1968. Quest’opera è degna di essere considerata il locus classicus della reazione all’approccio tradizionale alla natura di tali segni, basato sulla nozione di somiglianza e tipicamente attribuito a Peirce. Infatti, in primo luogo, Goodman è particolarmente radicale nel contrapporsi a esso. a so...